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Some things are just timeless. When Jim Henson created Kermit the Frog decades ago, I’m sure he was hardly expecting the little green fella to become a universally recognized symbol of children’s entertainment…
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THE BIG LEBOWSKI. It’s a film that many have seen, and that many love. It’s something that I’ve seen at least a dozen times and have never grown tired of. It’s not a flawless film, and by no means is it the greatest film in the world…
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I’m not afraid to tell you that I was shaking going in to see DAREDEVIL. “Why?” you ask? Has Hollywood finally turned Chad into a cokehead? Well, of course, but that’s not why I was shaking. Do you have some sort of palsy? Well, maybe, but that’s not it either. I was shaking because I was so fucking scared of this movie…
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I’m really kind of upset about this movie. Being a lifelong Daredevil fan, I really hoped that they wouldn’t screw this one up. I’ll say this first: even if you have never read a Daredevil in your life, this still isn’t a very good movie…
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The gloves have been off for some time. I don’t particularly care for Will Ferrell. It’s one of those things, like my distaste for THE MATRIX and the Beastie Boys, that most people don’t understand…
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First things first: I would have liked to have put up a review of DAREDEVIL last week, but I decided to hold off on the review since I figured our very own Bobby would be a lot more qualified to comment on the film…
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Add an aging Al Pacino who is again playing himself (I hate admitting this, cause Al rocks, but…) and a young, hip Colin Farrell and you’ve got The Recruit, the newest generic spy-thriller from Roger Donaldson, director of other generic films such as Dante’s Peak, Species, and The Getaway…
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In Woody Allen’s latest offering HOLLYWOOD ENDING, he portrays a director who is forced to shoot a movie through a spell of blindness. It’s kind of funny, because as this movie went on, I kind of felt that Allen had some sort of handicap going into it…
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We’ve all seen COMING TO AMERICA, right? I’m sure you’ve thought about how funny all the scenes in the Barbershop from that film were and wondered what it would be like if they were spun off into a movie of their own. Well, I wonder if Mark Brown, who wrote the story for this film, also did the same…
