Link to us!


Syndicate!


Affiliates:
CrewPix.com Internet Movie Script Database 88x31A LinkShare - Join now
CoverScript
Peep these links:
The Toque
Geek of the Day
Biting Satire
Barry the Bachelor
Evil Guide
Start your own Cult
Funny Feed
Humor Planet
Conspiracy Network
Grouchy Joe
Paranormal Cafe
All Dumb
Busted Tees
Defunker

IDENTITY

2003, dir. James Mangold
90 min. Rated R.
Starring: John Cusack, Amanda Peet, Ray Liotta, Alred Molina.

Review by J.R. Gast

The two stars of the murder-thriller Identity are rain and a plot twist, with rain getting the most screen time. Amanda Peetís hiphuggers co-star.

Identity is the story of a group of strangers stranded one night in a dilapidated motel during a downpour. Death ensues. There is yelling, running, and the shining of flashlights. There is ďLetís split up!Ē and ďNobodyís leaving this room!Ē There is a head in the dryer.

    

John Cusack is an ex-cop/limo driver. Ray Liotta is a cop transporting a criminal. Amanda Peet is the Hooker With A Heart Of Goldô. Rebecca De Mornay plays the head in the dryer. There are other characters, many others, and itís not that you canít keep them straight, itís that you donít care. And they die anyway.

Sort of.

Itís difficult to talk about Identity without talking about the plot twist. The first half of the film feels like horror movie convention done for the sake of horror movie convention. Itís like Scooby-Doo without the ascot and the lesbian. After the twist reveals itself, you understand why it felt that way. However, the plot twist itself grows from horror movie convention as well. Once the initial ďOh, okĒ wears off, youíre no longer watching the movie you started watching. Youíre watching one worse. You hope the twist will make the first half cooler, when in fact it makes it lamer.

    

And on top of all that, they never give the requisite Amanda Peet-itís-raining-wet-shirt-nipple-shot. Itís criminal.

Itís not that the movie isnít tense or, in spots, actually scary. The shadows forebode, the music crescendos, doors creak, and the car crash at the beginning made the guy next to me involuntarily shout ďmotherFUCKERĒ. One of my friends spent much of the movie watching it through his hands. But he watches Trading Spaces that way, so never mind.

Identity suffers from not having an identity. There are no great lines to remember, there is no nifty camera shot to talk about afterward. The movie stands entirely on the twisty-ness of the story. The story ainít Odysseus, and the twisty-ness not being very twisty, what youíre left with is a ticket stub and maybe a spare Twizzler.

    

Identity makes you feel like your parents did when they caught you smoking pot in high school; not mad, just very, very disappointed.


J.R. Gast is a bean counter by the day and superhero by night. His writing has appeared pretty much nowhere. He lives in East Atlanta. Digg!



All Material Copyright © 1998-2006 Movie Criticism for the Retarded.

For questions, comments, or the occasional stalking letter, send mail to Noel Wood. Please give proper credit when using any materials found within this site.


Search the Archives!